Learning To Be Silent

the weblog of the Aikido Center of Jacksonville

Before Zen crossed the shores into Japan, the students of the Tendai school would study meditation, as part of their daily practice. Four of them, close friends all, promised one another to observe seven days of silence.

On the first day, no words were spoken, and the students took pleasure in their auspicious beginning. When night came however, the oil lamps grew dim, and the room slowly darkened.

One student, named Hoshin, called out to a servant: "Servant! Attend to the lamps, so that I might better observe our accomplishment!"

The second student was surprised to hear Hoshin speak. "We are supposed to keep quiet," he chided.

"But you also spoke!" declared the third. "You are an idiot!"

"I am the only one who has not talked," concluded the fourth, as he settled into seiza.

January 2012 Newsletter

January 31st, 2012 | No Comments »

The January 2012 newsletter has been published.

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Observations About Ukemi

January 31st, 2012 | 1 Comment »

Editors Note: The author of this post wishes to remain anonymous.

Often times the importance of ukemi is understated leading to various outcomes, such as: inefficiencies in techniques, miscommunication, and injuries.

Uke’s level of commitment to their attack is an important element in observing the applications of various Aikido techniques. This is not a suggestion that uke will determine the outcome of an application. Rather, that uke will influence the outcome based on various factors, such as (but, not limited to): commitment of attack, speed of attack, type of attack, tai sabaki, ma ai, etc.

Uke’s commitment should not end when nage reacts to the attack. Uke must stay committed in their role and maintain connection and move with the energy to offer nage the opportunity to carry out an array of techniques. Of course, this is not to say that uke should viciously attack nage, nor ferociously resist the applications of techniques. On the other hand, uke should not immediately collapse during applications, if projections are not producing energy, or immobilizations are ineffective. Factors such as level of experience, stylistic preferences, and stamina will affect the interaction between uke and nage, and should always be considered by the parties involved.

There are factors compounded upon factors in the world of martial arts that create a great deal of uncertainty, even in controlled environments. In any relationship, whether a business transaction or the interaction between uke and nage, communication is essential. As martial artists we communicate through ways that transcend spoken words. Among these channels is the physical connection between uke and nage. In either role we must feel the flow of the technique and react. In doing so, we continuously send a message until the technique is fully carried out. The direction in which one’s shoulders or hips face, the positioning of one’s feet, shifting of weight, looking in a particular direction, and tapping out are all examples of communication.

The relationship between uke and nage is one of cooperation, communication, self-control, and consideration. It is a working relationship meant to facilitate learning and development and to build confidence in one’s technique, and each other. Aikido has a certain level of sophistication that many other martial arts do not observe. As aikidoka fulfilling either role, we are selfless and concerned for the well-being of others by maintaining control over the situation, and ourselves.